New Gorman biography quirky but thorough
CHINLE
I’ve always had a passing interest in the art of R.C. Gorman, even before I moved to his hometown.
My parents have a Gorman sketch, one of his many studies of powerful-looking Native women, heads angled proudly, seated on the ground in billowing skirts, and I always pause to admire it when I pass it in their apartment. But I can honestly say I never truly appreciated the iconic artist’s work until I read “The Power of his Brush: The Evolution of R.C. Gorman” by Nikos Ligidakis (Inkwell Books, 2017).
It’s not to say that the book isn’t flawed. It’s readily apparent English isn’t Ligidakis’ first language, and like every self-published book I’ve ever read, it could have benefited from an editor. Besides that, Ligidakis regularly crosses the line from biographer to apologist, at one point devoting three pages to debunking some vague and unattributed criticism of his subject, eventually concluding that all Gorman’s critics were just mean and jealous.
But somewhere amid the 29 chapters, the malaprops (early on, for example, someone is wearing a “Navajo mantra”) go from annoying to endearing, like listening to a good friend with an accent. And Ligidakis, who devoted years of research to both Gorman’s life and his considerable body of work, can be forgiven for falling in love with both Rudolph Carl Gorman and his art. Indeed, most people who met him did.
To read the full article, pick up your copy of the Navajo Times at your nearest newsstand Thursday mornings!
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